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	<title>BigShinyThing &#187; Features</title>
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	<description>Emergent Culture</description>
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		<title>Kinetica Art Fair 2010</title>
		<link>http://www.bigshinything.com/kinetica-art-fair-2010</link>
		<comments>http://www.bigshinything.com/kinetica-art-fair-2010#comments</comments>
		<pubDate>Mon, 08 Feb 2010 08:52:08 +0000</pubDate>
		<dc:creator>Anne-Fay</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[digital art]]></category>
		<category><![CDATA[interactive]]></category>
		<category><![CDATA[Kinetica]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[robotics]]></category>

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		<description><![CDATA[Interactive lushness at the electronic art fair. ]]></description>
			<content:encoded><![CDATA[<p><img class="storyimage-large" src="http://farm5.static.flickr.com/4028/4337615423_4f94330e50.jpg"/>Here at <em>BST</em> we have a &#8216;kid test&#8217;. If kids immediately &#8216;get&#8217; a piece of interactive art and are engaged with it, then that&#8217;s a clear indicator of the effectiveness of the piece. Of course, all art is subjective, but interactive and new media art in particular can suffer from a degree of convolution and &#8212; to be frank &#8212; irrelevance. The kid test filters a lot of that out. One parent was overheard patiently explaining to their daughter that &#8216;not everything moves&#8217;, but if the art fair is called <a href="http://www.kinetica-artfair.com">&#8216;Kinetica&#8217;</a> that&#8217;s a fair expectation.<br />
<img class="storyimage-large" src="http://farm5.static.flickr.com/4060/4338180800_00c27e86b2.jpg"/></p>
<p>There are lots of pieces which pass the kid test at this year&#8217;s Kinetica art fair at P3 in Marylebone. Special props go to <a href="http://www.squidsoup.com">Squidsoup</a>&#8217;s <a href="http://oceanoflight.net">Ocean of Light</a>, a startlingly beautiful &#8216;dynamic light sculpture&#8217; that reacts to music. We can see all kinds of amazing artistic and commercial applications for this piece, not least in live performance. Bjork, get in touch! <a href="http://www.cinimodstudio.com">Cinimod Studio</a>&#8217;s Flutter which produces a rabble of virtual butterflies is also charming and effective &#8212; a real example of how digital art can be humanised. On the more <a href="http://www.dorkbot.org">Dorkbot</a>-esque side of things, <a href="http://www.monomatic.net/peal/">Monomatic&#8217;s P.E.A.L.</a> replicates bell ringing with tubes of light, lasers and a iPhone remote (note, expect to see A LOT more iPhone remote controlled applications).<img class="storyimage-large" src="http://farm5.static.flickr.com/4035/4337612875_b366a873f4.jpg" /></p>
<p>The fair also has some neat examples of first generation hacker art, such as Miss Rosa Bosom, a robot created by Bruce Lacey which won the <a href="http://amw.andrewlogan.com/">Alternative Miss World</a> in 1985 and <a href="http://www.senster.com/ihnatowicz/SAM/sam.htm">SAM</a>, a sound reactive cybernetic sculpture from 1968 by the late Edward Ihnatowicz. As an argument for the continued importance and relevance of digital and electronic art (are you listening, <a href="http://www.ica.org.uk/">ICA</a>?), Kinetica 2010 makes a pretty compelling case. <img src="http://farm3.static.flickr.com/2679/4337420351_3616068b88.jpg" class="storyimage-large"/></p>
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