BigShinyThing

Whatever you’re doing on the 14th, we offer an alternative take on romance for your enjoyment: Scanner‘s 2002 Valentine’s Day radio piece The Sounds of Love, featuring (in no particular order):

Bats; Albatrosses; Tungler frogs; Asian Lions; Billygoats; Mute Swans; Elephants; Puerto Rican Tree Frogs; Peacocks; Swallows; Beluga Whales; Capuchin Birds; Blue Tits; Cats; Bees; Grey Lions; Toads; Satin Bowerbirds; Grey Seals; Hammer Headed Fruit Bats; Swallow Gulls and Elephant Seals

Scanner played an awesome spatialised version of this at the recent Future of Sound launch. Find more of his works on the compendious, tremendous UbuWeb.

Enjoy.

Originally transmitted by the BBC on 13th February 2002.

For the next four months, some of the most interesting sound artists working in the UK are on tour, under the banner of Future of Sound (FoS).

Crossover stars such as Scanner, field recordist Chris Watson (ex Cabaret Voltaire) and the Modified Toy Orchestra are performing alongside less well-known artists deserving of a wider audience. And that’s exactly what FoS hopes to offer. If not exactly music for the masses, FoS is about getting experimental, exploratory sonic art in front of punters, not academics.

BST was fortunate to be invited to the FoS launch [thanks again to Lisa Devaney], where we had a chance to hear more about the project from organiser Martyn Ware. He describes the tour (see the FoS calendar for dates) as an opportunity for the artists involved to refine works in progress, while reaching a UK-wide audience.

The tour focus is on sound in space. 3D surround systems designed by Ware and Vince Clarke (see previous interview) are an integral part of the experience — as is enthusiasm for cross-disciplinary collaboration and experiment. Consider for example the work of conceptualist Brian Duffy:

A new musical instrument that uses six specially adapted telescopes; sensors built into the eye pieces convert the light from stars into sound — this information returns to a central control panel, allowing each sound to be manipulated and played in real time…

As Duffy (pictured above, with one of his circuit-bending toy hacks) sees it, today’s segmentation of creativity and thought into categories of ‘science’, ‘art’, or ‘music’ is a modern constraint:

400 years ago you had to make your own instruments and tools, whatever you needed.

Duffy’s spirit of convergent co-creation is at the heart of what promises to make the Future of Sound tour something special.

Tickets are selling fast. Check dates, and book early. Prepare to be awed.

[update 25 Jan: The BBC has some footage...]